Showing posts with label collageart. Show all posts
Showing posts with label collageart. Show all posts

Monday, 16 December 2019

The Madding Crowd


The Madding Crowd

When I came up with the title, I was so sure. Finally, this three-worded string managed to capture my feelings when I was creating it. 

Unlike most art I make, this project was driven by anger, rejection, pain, despair, fear, subjection and sadness.

At times I felt like I was creating a collective, a paper revolution. I felt hope as I cut out the faces. How powerful can an individual be in a collective. The crowd is fighting for a brighter future.

Other moments I would feel watched, observed. Not by a collective but a collection of individuals. Each their own judgement, their own reflection. You never know what they might think. 

It’s a crowd of individuals, each with a unique print and pattern. Each with their own thoughts, logic and morals. How can we then ever become one to make a change? 

 

I was running out of paper. I started cutting multiple faces from one page. Of course I tried to have them as far apart as possible. For composition’s sake. 

Now when I look at my wall, I feel like God. Plato said that soulmates were one creature, but cut and divided by God as a punishment. I took the pairs apart and tried to mix everything well. I bet he tried to do the same. 

There are groups and factions in the crowd. The red ones don’t like the blue ones. The floral ones believe, the fashion ones don’t. The modern art ones are leftist, while paint smudged ones are alt-right. Interieur design are queer, the newspaper ones have "traditional" preferences. 

 
But you see, none can be described just their pattern or just their beliefs. In the crowd they are divided by colour and the rest of their facets are forgotten. 

But even if I, as God, would hear their prayers and cries, I could never grasp how rich and dimensional they can be. That idea equally pleases and terrifies me. 

More than a hundred faces hang on my wall. Each of them I traced and cut and stuck to the wall. I’ve touched all of them. Does that make us family? What more is family than a promise and a personal touch?


Whether a unified collective or a collection of strangers, the madding crowd will be watching me. Maybe they are my god.  


Wednesday, 24 April 2019

My Body is my Homeland



The Outpost is a Libanese magazine, created with the aim to engage readers with topics such as religion and culture to inspire change in the Arabic culture. I read The Possibility of Finding Home (issue 7, 2016) three times cover to cover. It told the story of home and identity, how it is to lose your home and how to make a new one. 

Inspired by this process of adapting to a new society, I created this mask out of strips of the Arabic articles that describe home as a moment suspended in time, a friend who finishes your sentence, a stage from which you fly or your own backpack. It is an homage to adaptation, it takes courage, effort and resilience, and often comes with the price of loss, pain and trauma in exchange for a glimmer of hope and freedom. . .








In the Presence of Absence
Mahmoud Darwish

Cities are scents
Acre is the scent of marine iodine and spices
Haifa, the scent of ripe and rumpled sheets
Moscow, the scent of vodka on ice
Cairo, the scent of mango and ginger
Beirut, the scent of sun sea, smoke and lemon
Paris, the scent of fresh bread cheese and the derivatives of intrigue
Damascus, the scent of jasmine and dried fruits
Tunis, the scent of night musk and salt
And Rabat is the scent of henna, incense and honey
Every city not known for its scents is not worth mentioning
And the lands of exile have a common scent
Which is that of longing for elsewhere…



Street Harassment